GIUSTINA SURBONE

About

 

© Giustina Surbone 2008

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Statement

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Art  Education
 
1990-92   Parsons School of Design, New York, New York
1977-81   State University College at Buffalo, Buffalo, New York
 
Solo Exhibitions
 
2002   McCaig-Wells Gallery,  “The Figure,” Brooklyn, New York
 
Select Two Person and Group Exhibitions
 
2010      Pool Art Fair, New York, NY

2010     Sideshow Gallery, “It’s a Wonderful 10th, Brooklyn, NY

2009    Gallery Korea, “Soul Ideologies,” New York, NY

2009    Tabla Rasa Gallery, “The Portrait Painted and Personal,” Brooklyn, NY

2008   A Gathering of the Tribes, “Being in a Lone Space,” New York, NY

2007   Broome Street Gallery, “Holiday Invitational,” New York, NY
 
2006   Lascano Gallery, “Gender,” Great Barrington, MN
 
2005   Spike Gallery, “Nurturing the New ’05,” New York, NY
 
2005   Exit Art, “Homomuseum & Archive Project,” New York, NY
 
2002   Ciao Bella, “Deep Beauty,” Brooklyn, NY
 
2002   Diesel Art Gallery, “Inaugural Exhibition,” Brooklyn, NY
 
2001   The Hall of Art, “Dodeca Mensual Salon II,” Brooklyn, NY
 
1996   Tivoli Artist Co-op, “Head to Toe, the Figure,” Tivoli, NY
 
1995   Smith Township Arts Council, Mills Pond House Gallery, “The Larger     
             Woman,” Smithtown, NY
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My work is a continuing exploration of unfamiliar beauty within the construct of portraiture that epitomize certain aspects of humanity, such as ageism, body image, and sexual identity, sometimes with a nod toward art historical symbolism.

Designed to deliver a direct impact by virtue of its size, style and expressive force, my paintings explore the abstract potential of the figure as a form contained. I use constraint in my application of paint and achromatic tones in order to reveal the fluidity of my brushwork.  Unity of composition is also a critical component of the work.  My paintings are close arrangements with the central figure placed within a setting reflective of the subject or against indefinite backgrounds.

How I select individuals for my paintings and how I portray them ultimately becomes a reflection of my self-perception and life experience. Consequently, these often amount to covert self-portraits.  My subjects confront themselves and their audience in terms of their inner emotional being to communicate truth and the poignant and transitory nature of life and beauty.